About
Definition
All the world's a stage and most of us are desperately unrehearsed. ~Sean O'Casey Drama is the specific mode of fiction represented in performance. The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The origin of dramatic performance in Indian subcontinent can be traced back to as early as 600 BCE. Its drama is regarded as the highest achievement of Sanskrit literature. Buddhist philosopher Asvaghosa who composed Buddhacarita is considered to have been the first Sanskrit dramatist. Kalidasa in the 4th-5th century CE, was arguably one of ancient India's greatest Sanskrit dramatists.Career Path
Colleges
- Anupam Kher’s Actor Prepares, Delhi, Delhi
- Anupam Kher’s Actor Prepares, Mumbai, Mumbai
- Anupam Kher’s Actor Prepares, Pune, Pune
- Asian Academy of Film & Television (AAFT), Noida, Noida
- Bhartendu Academy of Dramatic Arts (AAFT), Lucknow, Lucknow
- City Pulse Institute of Film & Television, Gandhinagar, Gandhinagar
- Film and Television Institute of India (FTII), Pune, Pune
- Indira Gandhi National Open University (IGNOU), New Delhi
- Maharaja Sayajirao University of Baroda, Vadodara
- National School of Drama, New Delhi, New Delhi
- Pondicherry University, Pondicherry, Pondicherry
- Rabindra Bharati University, Kolkata, Kolkata
- University of Hyderabad, Hyderabad, Hyderabad
Top Colleges
Key Skills
Career Prospect
- Actor
- Educator
- Drama Therapist
- Community Arts Worker
- Drama Therapist
Scope
- Acting
- Community Arts Worker
- Drama Therapist
- Theatre Director
- Arts Administrator
- Further Education Teacher
- Higher Education Lecturer
- Theatre Stage Manager
Pay Package
Will be updated soon
Role Models
Badal Sircar
Badal Sircar is also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the 1970s and taking theatre out of the proscenium and into public arena, when he founded his own theatre company, Shatabdi in 1976. He wrote more than fifty plays of which Ebong Indrajit, Basi Khabar, and Saari Raat are well known literary pieces, a pioneering figure in street theatre as well as in experimental and contemporary Bengali theatre with his egalitarian "Third Theatre", he prolifically wrote scripts for his Aanganmanch (courtyard stage) performances, and remains one of the most translated Indian playwrights. Though his early comedies were popular, it was his angst-ridden Ebong Indrajit (And Indrajit) that became a landmark play in Indian theatre. Today, his rise as a prominent playwright in 1960s is seen as the coming of age of Modern Indian playwriting in Bengali, just as Vijay Tendulkar did it in Marathi, Mohan Rakesh in Hindi, and Girish Karnad in Kannada.